Flames never rise from crematorium chimneys, so what exactly has been incinerated all this time, truth? Eighty years on, this anti-White propaganda suppresses White people into guilt, shame, and self-loathing and also to annihilate from conceptual thought any trace of a homogenous and ethnocentric homeland; free from usury, debt slavery and crucifying genocidal decimations.
- Inflated death toll
- Propaganda Chimney
- Rudolf Höss
- Gas Chambers
- Mass Cremation
- Electrocuted & Vaporised
- Tattoo Machines
- Simon Wiesenthal
- Anne Frank Diaries
- Rudolf Vrba’s “I Cannot Forgive”
- Olga Lengyel’s “Five Chimneys”
- Kitty Hart’s "Return to Auschwitz"
- Martin Gray’s “For Those I Loved”
- Jean Francis Steiner’s “Treblinka”
- Miklos Nyiszli’s “Auschwitz: A Doctor’s Eyewitness Account”
- Filip Müller’s “Eyewitness Auschwitz: Three Years in the Gas Chambers”
- Truthful Survivor Books Not Given Prominence
- Paul Rassinier—The Holocaust Victim Who Argued Against the “Gas Chambers”
- Martin Gilbert’s “Auschwitz and the Allies”
- Herman Rosenblat’s “Angel at the Fence”
- Binjamin Wilkomirski’s “Fragments”
- “Survivor” Swindlers 1—The Philip Auerbach Case
- “Survivor” Swindlers 2—The Werner Nachmann Case
- “Survivor” Swindlers 3—The Semen Domnitser Case
- Truth as a Victim
Unlike the stigmatizing holocaust industry, there are no expensive purchasable tickets to view the suppressed factualities written onto these very pages; the real cost it seems is the ignorant castigation of not only me but thousands of others before me who have freely published this invaluable information. In evaluated view of these efforts, I request that you decide for yourself by creating and substantiating a genuinely informed opinion from assessing factual evidence that is oh so not popular in most social circles where facts are scoffed at, rendered down with ridicule and eventually silenced unspeakable, suppressed under a repressive, anti-social construct of repressive tollerance.
Deborah Lipstadt lawyer is Anthony Robert Julius, in 1999 Julius married Dina Rabinovitch, daughter of infamous anti-White Rabbi Nachum Eliezer Rabinovitch, Rabbi Rabinovitch said:
People cannot seem to fathom that being on the winning side of the war that propaganda during and after that war could, just might, be false. Questioning the Holocaust has become illegal in 17 countries: Austria, Belgium, Czech Republic, France, Germany, Hungary, Israel, Liechtenstein, Lithuania, Luxembourg, Netherlands, Poland, Portugal, Romania, Russia, Slovakia, and Switzerland.
Upon the holocaust mememorial in the Hague the Germanic people have been demonised as the Amalek (blood lickers).
In Judaism, Amalekites came to represent the archetypal enemy of the Jews. In Jewish folklore, the Amalekites are considered to be the symbol of evil. Three of the 613 mitzvot (commandments) involve Amalek:
- 598 Deut. 25:17 – Remember what Amalek did to the Israelites.
- 599 Deut. 25:19 – Wipe out the descendants of Amalek.
- 600 Deut. 25:19 – Not to forget Amalek's atrocities and ambush on our journey from Egypt in the desert.
When you cannot question anything, through fear of being socially outcast, stigmatized or worse prosecuted and locked up; then you begin to ask why the petitioned authorities attempt to suppress and stifle those genuinely seeking to substantiate the truth in hindsight of this matter.
Mass concentration and internment of a Jewish instigated insurgency that formulated an attempted communist overthrow of a democratically elected National Socialist Germany. There is no doubt that thousands died at Auschwitz of a horrific disease named typhus that spread from inmate to inmate, carried by a bloodsucking, transient vector of parasitic body lice.
But despite nationalist grievances, there was and still is no actual scientific evidence to back up and corroborate the endless accusations of wilful mass murder as found at this now infamous WW2 internment camp? The gas chambers presented by the museum are a scientific impossibility, as is of burning thousands of bodies in cremation pits amidst the rising water table which caused outbreak after outbreak of deadly, virulent strains of waterborne typhus.
Aushwitz Propaganda Chimney
In 1947, the occupying Red Army i.e. Soviets built a fake chimney (for the specific purpose of propaganda) next to the Auschwitz I alleged “gas chamber” to make the building appear more convincing when viewing from the front. The red brick 30ft chimney is not even attached to the “gas chamber” building.
Inflated death toll
Franciszek Piper, former Head of Historical department of the Auschwitz Museum has through the mainstream media sources been credited with bringing the down Aushwitz official death toll (from his scientific analysis of the sources and findings on the deportations to Auschwitz) from four million to one and a half million; a somewhat significant reduction of almost three million deaths.
When Professor Piper findings are viewed in more detail we find that that out of this academic's assertion of a death toll total of 1.1 million 'Jewish' detainee deaths, about eighty-one per cent of Jews transported to Auschwitz by the Holocaust trains, or 890,000 men, women, and children, met their deaths immediately upon arrival and were “not registered”; however no forensic evidence to substantiate this allegation exists today.
Camp Commander: Rudolf Höss
Having been tortured, Rudolf Höss, who was the commander of Auschwitz from 1940 to 1943, almost certainly lied to save the lives of his wife and children. Even if torture and duress cannot be proven, the overwhelming reason for recognizing the utter falsity of the Höss confession is that the gassing method he described was not scientifically plausible. Yet, Höss’s conviction has stood, by inference, as a testament to the cruelty of Germans in general, since he was tried at Nuremberg, in 1947, and subsequently hanged on April 16th, 1947, in Poland.
On March 11, 1946, the British took Höss into custody and immediately began questioning him. Höss signed a statement under oath in German (later given document number NO-1210 by the IMT) on March 14 (March 15?) at 2:30 in the morning. Two days later on March 16, Höss signed a statement under oath in English:
“I, personally, arranged on orders received from Himmler in May 1941 the gassing of two million persons between June/July 1941 and the end of 1943 during which time I was commandant of Auschwitz”.
Höss later signed an affidavit that was quoted extensively at the International Military Tribunal at Nuremberg. It was this affidavit that laid the foundation for and later validated the extermination story of Auschwitz. The affidavit, in English, dated April 5, 1946, read in part:
I, RUDOLF FRANZ FERDINAND HOESS, being first duly sworn, depose and say as follows: 2. I commanded Auschwitz until 1 December 1943, and estimate that at least 2,500,000 victims were executed and exterminated there by gassing and burning, and at least another half million succumbed to starvation and disease, making a total dead of about 3,000,000. This figure represents about 70% or 80% of all persons sent to Auschwitz as prisoners, the remainder having been selected and used for slave labour in the concentration camp industries. Included among the executed and burnt were approximately 20,000 Russian prisoners of war (previously screened out of Prisoner of War cages by the Gestapo) who were delivered to Auschwitz in Wehrmacht transports operated by regular Wehrmacht officers and men. The remainder of the total number of victims included about 100,000 German Jews, and great numbers of citizens, mostly Jewish, from Holland, France, Belgium, Poland, Hungary, Czechoslovakia, Greece, or other countries. We executed about 400,000 Hungarian Jews alone in the summer of 1944.
The Höss “confession” further alleges that Jews were already being exterminated by gas in the summer of 1941 at three other camps: Belzec, Treblinka and Wolzek. The “Wolzek” camp mentioned by Höss is a total invention. No such camp existed, and the name is no longer mentioned in Holocaust literature. Moreover, those who accept the Holocaust story currently claim that gassings of Jews did not begin at Auschwitz, Treblinka, or Belzec until sometime in 1942.
On May 8, 1945, the Soviet “Extraordinary State Commission” issued its estimate that the number of victims at Auschwitz and Birkenau had been four million. The subsequent Polish Commission of investigation into the numbers of victims, which ran from 1945 to 1946, agreed with the Soviet report. In 1947, the Supreme National Tribunal in Poland condemned Höss in part for the deaths of between three and four million people. Later, Höss attempted to reduce his estimate of the Auschwitz death toll to 1.13 million, but it did him no good. On the basis of this verdict, Polish authorities executed Höss at Auschwitz. In 1991, Kazimierz Smolen, long-time director of the State Auschwitz Museum, declared, “In my view, no one can deny the number of 4 million.”.
Ernst Zundel - German Prisoners Tortured Until They Signed Confessions.
For more than 30 years, Rudolf Höss has been the best witness to Auschwitz gassing claims. In many ways, the entire weight of claims of mass gassing rests on his testimony; with Höss removed from the chain of evidence, there is no link among various scattered documents and testimonies that combine to provide the “proof” of Nazi gassings.
Each year for decades, tens of thousands of visitors to Auschwitz have been shown an execution “gas chamber” in the main camp, supposedly in its “original state.” In January 1995, the prestigious French weekly magazine L'Express acknowledged that “everything” about this “gas chamber” is “false,” and that it is, in fact, a deceitful postwar reconstruction.
American execution technician Fred A. Leuchter (an expert on gas execution chambers) compiled a report titled “The Leuchter Report: An Engineering Report on the Alleged Execution Gas Chambers at Auschwitz, Birkenau, and Majdanek, Poland”. The investigation began in 1988 to investigate the feasibility of mass homicidal gassings, specifically at Auschwitz.
Fred A. Leuchter talking about his investigation findings.
Dr. William B. Lindsey, a research chemist employed for 33 years by the Dupont Corporation, likewise testified in a 1985 court case that the Auschwitz gassing story is technically impossible. Based on a careful on-site examination of the “gas chambers” at Auschwitz, Birkenau and Majdanek, and on his years of experience, he declared: “I have come to the conclusion that no one was wilfully or purposefully killed with Zyklon B [hydrocyanic acid gas] in this manner. I consider it absolutely impossible.”.
‘French’Jew historian Olga Wormser-Migot likewise concluded in her detailed 1968 study of the German concentration camp system that the stories of execution gas chambers in Germany proper and Austria are mythical. Part of the reason for the persistence of baseless ‘gas chamber’ stories, she wrote, is confusion about the distinction between a gas chamber and a crematory. Another factor, perhaps more basic, is an ‘unconscious desire’ to keep alive the memory of the evil wartime treatment of the Jews. Psychologically, the ‘gas chamber’ has become one of the “leitmotifs of the heroic epic of the deportation“.
Cremation specialists have confirmed that thousands of corpses could not possibly have been cremated every day throughout the spring and summer of 1944 at Auschwitz, as has often been alleged. Ivan Lagacé, manager of a large crematory in Canada, testified in court in April 1988 that the Auschwitz cremation story is technically impossible. The allegation that 10,000 or even 20,000 corpses were burned every day at Auschwitz in the summer of 1944 in crematoriums and open pits is simply “preposterous” and “beyond the realm of reality,” he declared under oath.
Electrocuted and Vaporised
At one time, it was seriously claimed that at Auschwitz, Jews were systematically killed with electricity. American newspapers in February 1945, citing a Soviet eyewitness report from the recently-liberated camp, told readers that the methodical Germans had killed Jews there using an “electric conveyor belt on which hundreds of persons could be electrocuted simultaneously [and] then moved on into furnaces.
They were burned almost instantly, producing fertilizer for nearby cabbage fields.” And at the Nuremberg Tribunal, chief US prosecutor Robert Jackson charged that the Germans had used a “newly invented” device to instantaneously “vaporize” 20,000 Jews near Auschwitz “in such a way that there was no trace left of them.” No reputable historian now accepts either of these fanciful tales.
Of all the multifarious “symbols of the holocaust” (and EVERYTHING about the holocaust is symbolic), probably no symbol is more powerful than the “holocaust tattoos” of the “holocaust survivors.” Wherever you find lying jews, you find “survivors;” wherever you find “survivors,” you find “holocaust tattoos.”
Excerpts from Edwin Black, IBM and the Holocaust: The Strategic Alliance between Nazi Germany and America’s Most Powerful Corporation; long description of the complexity of the registration number system, which allegedly included a reference to the inmate’s occupation, in case the Germans needed certain skills:
In other words, the alleged tattoo reference number was of such importance that the tattooing could not be entrusted to a mere inmate. In addition to which, the whole system could be frustrated by the inmates at any time, simply by re-tattooing each other and altering the numbers on the tattoos. The fact that tattoos can always be altered or covered would render any tattooing system useless for identification purposes. Since the holocaust tattoos we see are nearly always very crude, the alterations would be less noticeable, thus further defeating their alleged purpose.
You expect a tattoo to fade a bit, but this is very sloppy work, considering that the “tattoos” are alleged to have been of such crucial importance for identification and labour management purposes. Note as well that the location is not standardized: sometimes they appear on the inside of the arm, sometimes the outside. According to one yarn, the inmates were allowed to “choose” where they wanted their tattoos! Since any tattoo can be covered by another tattoo, the location must be absolutely standardized if the tattoo is to serve for the possible identification of escaped inmates: that way, any person with a tattoo in that location would be suspect. Failing to put the tattoo in the same place each time would render it even more useless than ever.
In other words, there is no evidence that it ever happened, except for the tens of thousands of “survivors” displaying their “holocaust tattoos”, 55 years after the war. There are no documents, no tattooing equipment, nothing.
If the Germans were busy murdering people by the millions, why the hell would they care about identifying them afterwards?
Another source for this fantastic yarn is Tadeusz Iwaszko, La deportazione al campo e la registrazione dei prigionieri, in: “Auschwitz. Il campo nazista della morte” [“Deportation to the Camp and Registration of the Prisoners”, in: “Auschwitz: The Nazi Death Camp”, by F. Piper and T. Swiebocka, Auschwitz-Birkenau State Museum Publications, 1997, p. 54. The most amusing part (about how the machine proved “impractical” – like the height-measuring head-shot contraptions and other bizarre contraptions described by “survivors”) is usually deleted. Actually the whole passage is more or less a quotation from the “affidavit” of Tadeusz Iwaszko, naturally prepared following the Communist takeover of Poland. Remember, these are the same people who gave us the “quicklime trains”, “electrical chambers at Belzec” and the “steam chambers” and “vacuum chambers” at Treblinka. According to “Tadeusz Iwaszko” (whoever he was), the “interchangeable needles” were 1 cm long, 10 times the depth of an ordinary tattoo. In addition to causing a puncture wound, this would cause the ink to migrate beyond the intended location, blurring the tattoo, and, to some extent, defeating its intended purpose – legibility. Iwaszko’s affidavit reads, in part, as follows:
In other words, the Germans are alleged to have used a sort of stencil formed of needles, which could then be transformed at will into a stencil for any other number. The “metal plate” would probably require at least one hundred needles (see below) as well as an extremely complex mechanism permitting the formation of a different stencil for each five-digit number (i.e., needle 1 in position A1 would be moved laterally by a lever mechanism to position A9, for example), and so on for 100 needles, and, presumably, 100 levers (or perhaps it was computerized).
All to save a few minutes tattoo work with one needle! Where are the plans, designs, specification sheets, patents, order forms, manufacturing reports, provisional and final acceptance forms, delivery vouchers, inventory reports, etc. for this Rube Goldberg device? No such “metal plate” has ever been found. No documents relating to it have ever been found. No tattooing needles or other equipment has ever been found. In practice, such a “plate” would probably cause a puncture wound followed by anaerobic infection, in addition to infecting the entire camp with hepatitis, syphilis, staph infections, possible septicaemia and even gangrene. And if the “plate” was to be autoclaved after each inmate, how many thousands of “metal plates” would they need? Where did they all disappear to? Either the needles were interchanged in position only, or new needles were inserted from the back. Which is it?
For six days in October 1999, an Australian team headed by Richard Krege, a qualified electronics engineer, carried out an examination of the soil at the site of the former Treblinka II camp in Poland, where, Holocaust historians say, more than half a million Jews were put to death in gas chambers and then buried in mass graves.
According to the Encyclopedia of the Holocaust (1997), for example, “a total of 870,000 people” were killed and buried at Treblinka between July 1942 and April 1943. Then, between April and July 1943, the hundreds of thousands of corpses were allegedly dug up and burned in batches of 2,000 or 2,500 on large grids made of railway ties. Krege's team used an $80,000 Ground Penetration Radar (GPR) device, which sends out vertical radar signals that are visible on a computer monitor. GPR detects any large-scale disturbances in the soil structure to a normal effective depth of four or five meters, and sometimes up to ten meters. (GPR devices are routinely used around the world by geologists, archaeologists, and police.) In its Treblinka investigation, Krege's team also carried out visual soil inspections, and used an auger to take numerous soil core samples.
The team carefully examined the entire Treblinka II site, especially the alleged “mass graves” portion, and carried out control examinations of the surrounding area. They found no soil disturbance consistent with the burial of hundreds of thousands of bodies, or even evidence that the ground had ever been disturbed. In addition, Krege and his team found no evidence of individual graves, bone remains, human ashes, or wood ashes.
The study debunks Zionist British Archaeologist Caroline Sturdy-Colls’ fraudulent “investigation” of Treblinka, which included digging near clearly marked Christian graves claiming to find new “hidden mass graves,” falsely assigning homicidal intent to a normal life-saving (halt spread of typhus by removing body lice with water) shower room at Majdanek, and misidentifying a terra-cotta tile excavated at Treblinka as belonging to the floor of a homicidal “gas chamber.”
Krege and his team are associated with, and funded by, the Adelaide Institute. The institute's director, Dr. Fredrick Töben, was previously jailed in Germany for seven months in 1999 for disputing Holocaust extermination claims.
For a detailed historical account of Buchenwald read: Buchenwald: Legend and Reality
Human Skin Lampshade and Handbag
After the extermination of National Socialist Germany, claims circulated that Ilse Koch, wife of the commandant of Buchenwald internment camp, not only had possessed lampshades made of human skin, but had specifically tattooed prisoners killed to use their skin for this purpose.
After her conviction for war crimes, General Lucius D. Clay, the interim military governor of the American Zone in Germany, reduced her sentence to four years' prison on the grounds “there was no convincing evidence that she had selected 'NAZI concentration' camp inmates for extermination in order to secure tattooed skins, or that she possessed any articles made of human skin”.
Jean Edward Smith in his biography, Lucius D. Clay, an American Life, reported that the general had maintained that the leather lamp shades were really made out of goat skin.
The book quotes a statement made by General Clay years later:
False statements made under oath by Dr. Gustav Wegerer, Austrian, political prisoner, kapo of the infirmary, and Josef Ackermann, a political prisoner and secretary of the camp doctor Waldemar Hoven wrongfully alleged that…
- Wegerer explained: “One day at about the same time  the camp commandant Koch and the SS doctor Müller appeared at my work command in the infirmary. At that time, a lampshade made of tanned, tattooed human skin was being prepared for Koch. Koch and Müller chose among the available tanned, parchment-thin human skins the ones with suitable tattoos, for the lampshade. From the conversation between the two, it became clear that the previously chosen motifs had not pleased Ilse Koch. The lampshade was then completed and handed over to Koch.” Dr. Hans Mueller, later SS physician in Obersalzberg, was a pathologist in Buchenwald from March 1941 to April 1942. The time period can be defined more precisely through Ackermann's statement.
- Ackermann delivered the lamp, as he testified in 1950 in court. The lamp-foot was made from a human foot and shinbone; on the shade one saw tattoos and even nipples. On the occasion of the birthday party of Koch [August 1941] he was tasked by the camp doctor Hoven to bring the lamp to the Kochs' villa. This he did. One of the party guests told him later that the presentation of the lamp had been a huge success. The lamp immediately disappeared after the SS leadership learned about it. Ilse Koch could not be accused of making the lampshade
Despite the allegations being proven false, a systematic echo, reverberation of these false allegations were directed and broadcast to subdued and suggestable nations throughout the last fifty years via a medium of popularised culture, most notably originating and projected via Jewish influenced and dominated entertainment industry.
- In a 1970 episode of the first series of Monty Python's Flying Circus sketch “Mr. Hitler and the Minehead by-election”, Adolf Hitler (played by John Cleese) says, “If he opens his big mouth again … it's lampshade time!”
- In 1965, Sylvia Plath referred to a “Nazi Lampshade” in her poem, “Lady Lazarus”. Plath invoked allusions and images from Nazi Germany to emphasize the speaker's sense of oppression.
- In the 1973 London Weekend Television drama The Death of Adolf Hitler, Doctor Karl Gebhardt (played by Ray McAnally) claims to Hitler (Frank Finlay) that the lampshade in his office in the Führerbunker is made of human skin. Hitler is disgusted and flies into a rage, violently throwing the lamp away, showing Hitler's cognitive dissonance between his personal morality and the twisted inhumanity of his orders.
- In 1979, the band Dead Kennedys made reference to the idea of Nazi human lampshades in their song California Über Alles, with the lyrics “you'd look nice as a drawstring lamp”.
- In 1995, August Kreis III was ejected from the set of The Jerry Springer Show after telling the host, “Your relatives — weren't they all turned into soap or lampshades?.. I've got your mom in the trunk of my car”.
- The song “Skinned” from the 1995 Blind Melon album Soup is about Ed Gein and contains the lyrics “I'll make a lampshade of durable skin.”
- A human lampshade appears in Ken Russell's 2007 short satire A Kitten for Hitler. In the film, Lenny, an American Jewish boy, who has a swastika-shaped birthmark, tries to soften Hitler's heart by giving him a kitten, but when Hitler sees the birthmark, he has Eva Braun kill Lenny to make him into a lampshade for their bedside table lamp. Near the end of the film, in what appears to be an act of God, the swastika transforms into the Star of David.
- In 2010 author Mark Jacobson published The Lampshade: A Holocaust Detective Story from Buchenwald to New Orleans. In it, he described how after Hurricane Katrina he uncovered a lamp which he believed to be made of human skin, and which may have come from a Nazi concentration camp. Initial flawed DNA testing appeared to show this was the case, but later more sophisticated testing proved it was cow skin.
- In 2012, a human-skin lamp appeared in the I Am Anne Frank episode of American Horror Story: Asylum.
Word became flesh
Edward Theodore “Ed” Gein was a killer and body snatcher, active in the 1950s, who made trophies from corpses he stole from a local graveyard. When he was finally arrested in November 1957, a search of the premises revealed, among other disturbing artefacts, a lampshade made out of human skin. Gein appears to have been influenced by the then-current stories about the Nazis collecting body parts in order to make lampshades and other items.
The propaganda of “Jewish soap” to place during and after WW2 to smokescreen the fact that no mass burial evidence of millions of bodies of alleged Holocaust victims was found anywhere within Germany's borders or even in WW2 German-controlled and occupied territories. I would find it bizarre that National Socialist Germans would want, let alone endeavour to turn Jews into soap bars in hindsight of suffering social engineered anti-White decimations and persecutions of Jewish instigated Communist uprising during the Weimar Republic, why the hell would they want to wash in or make clean an insurgency that they knew to be decimating filth, a scourge upon their homeland? Hitler initially wanted to deport Jews to Madagascar, among many other countries that refused to accept them. It seems Hitlers only other foreseeable option was to try to reeducate and reform (Arbeit macht frei) Jews through GULAG, an honest and meaningful, hard day's work.
Nevertheless, this accusation was “proved” at the main Nuremberg show trial of 1945-1946, and has been authoritatively endorsed by numerous historians in the decades since. In recent years, though, as part of a broad retreat from the most obviously untenable aspects of the “orthodox” extermination story, Holocaust historians have grudgingly conceded that the human soap tale is a wartime propaganda lie. In their retreat, though, these historians have tried to dismiss the soap story as a mere wartime “rumour,” neglecting to mention that international Jewish organizations and then Allied governments endorsed and sanctioned this libellous canard the soap story became an important feature of Jewish and Allied war propaganda. Rabbi Stephen S. Wise, wartime head of both the World Jewish Congress and the American Jewish Congress, publicly charged in November 1942 that Jewish corpses were being “processed into such war-vital commodities as soap, fats, and fertilizer” by the Germans. He further announced that the Germans were “even exhuming the dead for the value of the corpses,” and were paying fifty marks for each body.
During June and July 1943, two prominent representatives of the Moscow-based “Jewish Anti-Fascist Committee” toured the United States and raised more than two million dollars for the Soviet war effort at a series of mass meetings. At each of these rallies, Soviet Jewish leader Solomon Mikhoels showed the crowd a bar of soap that he said was made from Jewish corpses.
After the war, the soap story was given important legitimacy at the main Nuremberg trial. L. N. Smirnov, Chief Counsellor of Justice for the USSR, declared to the Tribunal:
It is worth emphasizing here that the “evidence” presented at the Nuremberg Tribunal for the bogus soap story was no less substantial than the “evidence” presented for the claims of mass extermination in “gas chambers.”.
After the war, supposed Holocaust victims were solemnly buried, in the form of soap bars, in Jewish cemeteries. In 1948, for example, four such bars wrapped in a funeral shroud were ceremoniously buried according to Jewish religious ritual at the Haifa cemetery in Israel. Other bars of “Jewish soap” has been displayed as grim Holocaust relics at the Jewish Historical Institute in Warsaw, the Stutthof Museum near Gdansk (Danzig), the Yivo Institute in New York, the Holocaust Museum in Philadelphia, the Jewish Holocaust Centre in Melbourne (Australia), and at various locations in Israel.
Simon Wiesenthal’s Faked “Memoirs”
One of the world’s most famous holocaust “survivors” was the “Austrian” Jew, Simon Wiesenthal. He claimed to have been interned at the Mauthausen camp and, after the war, devoted his life to hunting ex-NAZIS. Wiesenthal had an organization (which is still in existence), devoted to Jewish interests and promoting the Jewish mass extermination legend, named after him.
Yet, it is a little known fact that Wiesenthal’s own personal holocaust memoirs, entitled KZ Mauthausen, Bild und Wort (“Concentration Camp Mauthausen, Pictures and Words”), published in 1946, contains one of the most blatant forgeries of all holocaust memoirs.
Wiesenthal illustrated his book with drawings which he allegedly did either while in Mauthausen or from memory thereafter. One of the more famous pictures from his book is of three Jews, in their striped prisoner outfits, who had been shot at the stake by the NAZIS.
Although Wiesenthal alleged in his book that the drawing of the three shot Jews occurred in Mauthausen, the pictures were in reality plagiarized from a series of photographs which appeared in Life magazine of June 11, 1945. The series of photographs were of German soldiers, captured during the “Battle of the Bulge” wearing American uniforms, and executed by firing squad.
Wiesenthal copied his picture of “three shot Jews” from this Life photo essay, as can be seen in the illustrations below.
The Anne Frank Diaries
It is alleged that Anne Frank, a German / Dutch and Jewish thirteen-year-old during WW2 kept a diary of her life and times during the year of August 1942 through to 1944, she had received as a birthday present, and it is claimed she wrote detail statements in the diary regularly.
There has been much speculation as to both the authenticity and to the legibility of the diary, the first allegation alleged the diary as being written with a ball point pen (more commonly known as the Biro). Debuting at Gimbels department store in New York City on 29 October 1945 the Biro was a popular and commonly used product but did not fully enter into retail circulation until at least 1952 (long after the war had ended).
The second allegation is that the diary was largely the inspirational work of her father, Otto Franks. When the diary copyright expired (extends only 70 years after the author’s death) in 2015 the Anne Frank Fonds (the foundation responsible for the diary) decided to try to extend copyright on the book by admitting that Otto Frank, who died in 1980, was indeed a “co-author” after all.
Propped up and beautified, the same as all the other fictitious Holohoax stories, there is an Anne Frank statue and a school named after her in Amsterdam and an Anne Franks Centre in New York. In 1999, Time named Anne Frank among the heroes and icons of the 20th century on their list of The Most Important People of the Century, stating: “With a diary kept in a secret attic, she braved the Nazis and lent a searing voice to the fight for human dignity”.
Over the years, several films about Anne Frank appeared. The diary has influenced a diverse group of artists and social commentators to make reference to her in literature, popular music, television, and other media.